A Chorus Line AFD Audition Form in Adobe PDF format
Auditions for A Chorus Line! August 13, 15, 16, 2015
Arlington Friends of the Drama invites you to audition for the opening show of their 2015-16 season, the musical, A Chorus Line. The production is directed by Nicholas Meunier with musical direction by David Lien and choreography by Todd Rinehart.
A Broadway original when it opened in 1975 and a Broadway legend when it finally closed its fifteen year run, AFD will celebrate the show’s 40th Anniversary with a production that honors the origins of this musical-verite in the grimy streets of 1970’s New York City. A work of “struggle and possibility,” A Chorus Line hits to the heart of anyone who has had to defend their identity in a world of anonymity.
Auditions will be held Thursday, August 13, 2015 from 7 – 10 p.m. and Saturday, August 15, 2015 from 1 – 5 p.m. with callbacks on Sunday, August 16 from 1 – 5 p.m. All sessions will be held at the AFD Theater, 22 Academy St. in Arlington.
Those interested in auditioning should contact Director, Nicholas Meunier at email@example.com with any questions and to schedule your initial auditions for one of the following slots:
- August 13, 7 – 9 p.m.
- August 13, 8 – 10 p.m.
- August 15, 1 – 3:30 p.m.
- August 15, 2:30 – 5 p.m.
Initial Audition Requirements
A Chorus Line takes place during one dance audition for an unnamed Broadway production. It is a piece about professional dancers struggling to continue their livelihoods in a demanding profession. Accordingly, while there is no prerequisite level of experience, the casting team will be looking for those that are equally strong dancers, singers, and actors. For those with less dance training or experience, an ability to learn and retain choreography will be important.
Initial auditions will be held in two-hour blocks. During that time, you will learn a dance combination (all auditioning will learn the combination together) and be given the opportunity to sing 32 bars of a song that best showcases your voice. Come dressed to dance and please bring sheet music for your song for the accompanist.
Please come to your initial audition with your resume and headshot (if you have them) and the completed audition form, which can be downloaded from the following link:
Callback Auditions – Those asked to return for callbacks will re-perform the dance combination from the initial audition and learn a song(s) or monologue(s) from the show.
Rehearsals – Generally, Sunday, Monday, and Thursday evenings from August 23 – October 15 (some Sunday afternoons and Friday evenings as well). Tech week from October 18 – 22.
Fri., October 23 @ 8 p.m. Sun., November 1 @ 4 p.m.
Sat., October 24 @ 8 p.m. Fri., November 6 @ 8 p.m.
Sun., October 25 @ 4 p.m. Sat., November 7 @ 8 p.m.
Fri., October 30 @ 8 p.m. Sun., November 8 @ 4 p.m.
Sat., October 31 @ 2p.m.
Zach M (30-50) Tough but reasonable and understanding director of the show. Looking for strong acting skills. The actor playing Zach does not have to be a singer. While, in the original script, Zach teaches the dance combinations, we are willing to consider the right actor with less extensive dance experience.
Larry M (20-40) Zach’s assistant and dance captain. Must be a very strong dancer but not necessarily a singer. Will consider casting the role as a woman.
The Chorus Line
Don M (26) Baritone. Good looking and masculine. From Kansas. Wife and 2 kids
Maggie F (25) Mezzo. Innocent and quiet but there is passion underneath that comes out at several points in the play. Will be looking for strong vocal ability
Mike M (24) Tenor. A true show off. Actor must have excellent dance skills for his solo in “I Can Do That.” Tap skills a plus.
Connie F (32) Alto. Tough New Yorker, 4’10” so she is constantly playing younger roles. Preference for Asian American, but will consider alternative casting
Greg M (32) Baritone. Well groomed and preppy, Jewish New Yorker. Comfortable in his sexuality now, but only discovered it in his teenage years
Sheila F (29) Alto. Brash and confident, hiding deep insecurities about her age and fading abilities. Experienced chorus dancer hoping to get by on her past efforts
Bobby M (25) Baritone. Experienced and confident, always performing for others/has been drawn to it his whole life. Known he was gay since childhood.
Bebe F (26) Alto. Born in Boston, sensitive and defensive about her looks. Looking for strong vocal talent in the role
Judy F (28) Mezzo. Good dancer but somewhat spacey (she can’t remember her audition number). Danced to make her father happy.
Richie M (27) Tenor. Athletic dancer and strong singer. Originally from the South. Preference for an African-American male but will consider alternative casting
Al M (30) Baritone. NYC Italian. Has worked but is approaching the tail end of his career. Married to Kristine
Kristine F (22) Sheepish and inexperienced, very self-conscious about her voice. Strong dancer. Married to Al
Val F (25) Alto. The hottest thing in her small hometown in Vermont, she moved to NYC to be a Rockette, but faced stiff competition. Now very confident that she is getting regular work
Mark M (20) Tenor. Confident but young. Comes across as a regular kid, perhaps a younger Don. Strong dancer.
Paul M (28) Baritone. Very rough NYC upbringing and early life. Tortured by his inability to define his identity. Looking for a very strong actor.
Diana F (29) Alto. Bronx native, confident but in a defensive way like many of the characters. Good at covering insecurity but Zach’s process breaks down her walls. Looking for a strong singer/dancer/actor.
Cassie F (30ish) Soprano. Very strong dancer/singer with star skills, but has never gotten a break. A great chorus girl who will never be a star. Previous intimate relationship with Zach. Actor must be very strong dancer and singer.
We will also be looking to cast ~ 7 additional dancers (~ 4M, 3F) who appear in the opening number of the show, and may also be used in the Finale. Some of these characters (e.g. Vicki, Roy) have featured lines during the opening number.
 Character ages listed are those explicitly given in the show, but we will consider all actors who can “play” that age